Recently in Theatre Category

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I know. I'm freaking out, too. If you haven't seen Pedro Almodovar's crazytown awesome 1988 film Women on the Verge of a Nervous Breakdown, please put it in your Netflix queue now. The Broadway musical version is set to open on November 4, 2010, with previews starting October 2nd at the Belasco Theatre. Starring Patti Lupone, Brian Stokes Mitchell, and Sherie Rene Scott, I'm going to go ahead and declare this the show of the season. Or at least the one I'm willing to shell out the hundred smack'ems to see. Please, please let it stand up to the original...

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I'm looking forward to seeing Mike Birbiglia's show, Sleepwalk With Me, next week, especially since Ira Glass will be telling an "uncomfortable" story afterwards. Mike's one-man show is the hilariously true story of his struggles with sleepwalking. It's produced by Nathan Lane who says, "The energy in the room changes, and you realize you're in the presence of a fresh and original voice. And that is very rare. You know you're getting the real turtle soup, not merely the mock. Like any great comedian, it's hard to categorize Mike - he is his own unique creation."

I'm all for fresh, unique theatre, especially if it makes me laugh. Plus, Mike is doing post-show talk back sessions this week and next called "An Awkward Ten Minutes With Mike" where he brings on a friend who must tell an uncomfortable personal story that they've never told before. If you check out the show tonight, you'll be treated to a story by Zach Galifianakis, and next Wednesday is Mr. Glass. So, if you ain't got nothing better to do, go see some theatre people!

Tix here.
More info here.

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Please excuse my absence. We've been working around the clock to open our first play, FOR REASONS UNKNOWN, at the New York International Fringe Fest, and as of last Tuesday night we're up and running! It's been a heckuva thrill ride and we're so thankful to all of our family and friends who've come out to support us (and laugh with us) through it all. There are four shows left, so please grab a pal and come see this behemoth of a play celebrating New York, pigeons, Annette Funicello and, of course, poo.

We're a NY Observer and Daily Candy pick!!!

Gingham Theatre Presents:

FOR REASONS UNKNOWN

Barrow Street Theatre
27 Barrow Street
Map HERE.

Schedule:
Thursday 8/14 @ 10:00 PM
Monday 8/18 @ 7:30 PM
Thursday (matinee) 8/21 @ 2:00 PM
Sunday (matinee) 8/24 @ 2:15 PM
*Please note that the NY Observer incorrectly listed our Monday show time. The correct time is 7:30pm.

Director: Nathan Halvorson Assistant Director: Osheen Jones Set Designer: Jeremy Chernick Choreographer: Brent Smith Stage Manager: Lee Micklin Company Representative: India Neilan
Cast: Jeff Long, Andi Teran, Matt Mullin, William Franke, Jessica Kaman, Travis York

Tickets:

Online: Visit Ticketweb.com
By Telephone: (convenience charge applies) 9am to 7pm every day.
Inside NY: 212.279.4488 (Credit Card Only)
Outside NY: 1-888-FringeNYC (Credit Card Only)
In Person: Visit FringeCENTRAL

ABOUT THE PLAY: FOR REASONS UNKNOWN is the story of Bradley, an office drone and city dweller who comes home to his New York apartment to find a present on his sofa. The gift? A big poo. With all windows and doors locked, and no sign of forced entry, Bradley enlists the help of his best friend and hip-hop dance partner, Julie, to discover who--or what--committed this dastardly deed. There's spirited dancing, a couple of cops, a mysterious neighbor, and one too many pigeons--there might even be a cameo by Annette Funicello--but, most importantly, there's poo. Paranoia and the randomness of urban life rule in this modern comedy that chronicles just what happens when sh*# happens.

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CONGRATULATIONS, AUGUST: OSAGE COUNTY!!!! If you haven't seen this remarkable play written by Pulitzer Price winner Tracy Letts yet, I highly suggest you book tickets soon or treat yourself to the paperback version. It's a life changing piece of theatre.

Dear Broadway,

I hope plays like this one, with a cast of hard working, NON-household name actors (although they should be), continue to get a chance to shine on the Great White Way. Some of us are hungry for more.

Sincerely,

A

p.s. Can you please give us more from the ENTIRE cast of Top Girls and the ladies of Boeing Boeing? Thank you! Oh, and Sutton Foster. I'll see Patti Lupone sing the phone book, too.

p.p.s. I don't want to see anyone I've listed above in Shrek The Musical, though. No offense.

p.p.p.s. Scratch that. I guess I'll see YOU, Sutton Foster. Sheesh.

p.p.p.p.s. Oh, and thank you for putting Title of Show on Broadway. MORE ORIGINALS PLEASE!

p.p.p.p.p.s. How about some shows plucked from The New York International Fringe Festival? What a motley crew of gloriousness!

p.p.p.p.p.p.s. THIS SHOW looks particularly awesome. Sparse, and very, very mysterious...

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Every time I finish working on a play, I want to tuck myself into a little ball and cry. There's something so final about it. When you finish working on a show you've lived in for several moments of several weeks and those final credits begin to roll, you are forced to live in THE END. No more rehearsals taking up your free time, friend time, and family time. No more laughing at flubs, fall downs, and trip-ups with people you barely know but will have an esoteric kinship with weeks down the line. No more freaking out about whether you're ready for opening night. No more mini intestinal explosions in the two seconds before the lights go up, and no more sweaty exhilaration when the curtain goes down.

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A day with a play at the end of it can explode your daily mood into something extraordinary. From a laugh you hear in the back row after you've uttered a line no one's laughed at before to a moment of valiance when you and your fellow actor save each other from imminent disaster at a forgotten word or prop. It's these seemingly insignificant moments of accomplishment that can both tickle your soul and momentarily erase everything you've experienced prior to walking through that stage door.

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I love theatre lingo. I like saying, "Shall we enter from stage left then?" just as much as I like listening to the stage manager announce that "we're about to open the house." There's even pleasure derived from the two words everyone gets sick of hearing during a tech rehearsal: "Hold please". I love backstage gossip about, say, last week's episode of "Project Runway" when one of you is putting on a wig and the other is duct taping a power cord to the concrete floor while someone else is pulling on their pants or stretching in the background. It's my kind of fun and my kind of people. A day with a play, to me, is a holiday.

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When my play ended on Sunday, it was a lonely train ride back to Brooklyn. I remember saying my goodbyes and hearing Hunter, our lighting operator, say, "Goodbye forever!" I totally got what he meant. Things are never the same when you finish a show. The transitory family you've constructed in that hallowed space and the fleeting moments you've all shared are gone, and it (and you) will never be the same again. There's celebration and tribute in saying goodbye and bittersweet rest in The End.

I, of course, can't wait for the next beginning.

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Thank you Captain Gary, Sweetie Scott, Digable Dave, Pirate Ien, Pal Hunter, Legal Charis, Spotless Melinda, Prettier-Than-Matt-Damon Adam, Dimple Dena, Lovely Michael, Brother Blake, Awesome Adrienne, and Invisible Marcus. And to anyone I forgot, I'm [insert] Andi.

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Verbose Coma, by writer/performer Andi Teran