"Black is the uniform of poets. We lined them up and gave them new customs..." - Poem #2 by Richard Hell and Patti Smith
I have not wept openly at a concert since I witnessed Tori Amos sing "Me and a Gun" a capella in the firefly light of Austin, TX, sometime around 1996. Last night marks occasion #2. We arrived at Milk Studios around 8pm for Steven Sebring's ILLUMINATION: Who Are Poets exhibition expecting a short poetry reading, as promised, by his friend and subject Patti Smith. The entire exhibition celebrates the work of poets--lyrical and otherwise--such as Jim Carroll, Neil Young, Michael Stipe, Philip Glass, Joey Ramone, Richard Hell, and Ms. Smith herself. The performance that was given, however, was something else altogether.
The room was wall to wall with the usual black bedraggled fashion-slash-artist armada, and we all staked our spots in front of the small, piano covered stage an hour before anything started. It was sweaty and close, but no one cared, and when the music finally faded (REM over the loudspeakers, coincidentally), Michael Stipe took the stage to snap us to attention with his fingers. Patti emerged, her hands clutching several sheets of paper, and she gave a ferocious reading of Poem #2, dedicating it to Richard Hell, and finished by tossing all of her sheets to the nonexistent wind as the piano tinkered on, the rest of us hooping and hollering, happy with what we thought was the entire performance. But, lo, there was more...
What followed was Patti singing a soft, stripped-down version of Neil Young's "It's a Dream" (which started my tear-train), her longtime bandmate Lenny Kaye honoring his other former bandmate Jim Carroll with a song, and Patti reciting her emotional poem, Radio Baghdad, while her daughter Jessie Smith played a Philip Glass piece on the piano. Then there was the moment of true tears, the opening chords to REM's "Everybody Hurts." Everyone looked over at Mr. Stipe, who was standing behind the piano merely watching, mind you, clearly not intending to participate. Then, as Patti began to sing, she "accidentally" forgot all of the words, and he jumped on the stage to rescue her. Together they led us all in a sing-a-long which saw not only me, but several softies, bawling our eyes out as we shouted the lyrics with not one, but two of our heroes in a smallish concrete room on the westside of Manhattan.
I know I'm being dramatic as I type this, but it was that kind of night. This was not the song that ended the show, however. Joey Ramone was the last honored poet, and his musical homage included another sing-a-long which Patti insisted the audience lead, this time to "Blitzkrieg Bop." There wasn't a single person in that place--not even the coolest of the cool--who wasn't smiling and singing along to the chorus. It made me wonder, hope really, that maybe we could all leave that room remembering the importance of a poet's words, be they spoken, shouted, keyed, strummed, or read.
They're piling in the backseat
They're generating steam heat
Pulsating to the back beat
The Blitzkrieg Bop
Photographs by Hamish Robertson
